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Technical environment

Technical environment

Global standard 220V-240V/50Hz-60Hz
Standard for USA/Canada 120V/60Hz, 277V/60Hz
  • 中文

Our contents are shown to you in English. Product data is displayed for a technical region using 220V-240V/50Hz-60Hz.

Lighting up M+ Hong Kong

The M+ building in the West Kowloon Cultural District is one of the largest museums of modern and contemporary visual culture in the world. Located at the southernmost edge of Kowloon overlooking Victoria Harbour, it is among Hong Kong’s most iconic landmarks, both monumental in its architectural form and radically open in its position in the urban landscape.

Designed by Herzog & de Meuron in partnership with TFP Farrells and Arup, the building is composed of a podium and a slender tower that fuse into the shape of an upside-down ‘T’. The expansive podium cantilevers above ground and includes 17,000 square metres of exhibition space across thirty-three galleries, three cinema houses, the Mediatheque, Learning Hub, and Roof Garden that faces Victoria Harbour. The tower houses the museum’s Research Centre, offices, restaurants, and the M+ Lounge on level 11. The M+ Facade, facing the harbour, is embedded with LEDs for screening moving image works, which can be seen from the West Kowloon waterfront promenade and Hong Kong Island. Visitors can enter the museum from various points on the ground and lower floors, creating a highly accessible space that offers a continuity between indoor and outdoor areas.

(Text by M Plus)

"The resulting structure is not simply anchored in its surroundings; it is also formed by them. This is a universal place with an inner organisation whose openness and transparency make it possible to link the complexities of the content and the space in many different ways."

- Herzog & de Meuron, 2015

The lighting for M+ was designed and conceptualised over several years by director of MEGS Lighting, Adam Meredith. There was a need to balance the architect's vision for the circulation spaces with the curator's vision for the exhibition spaces. With 33 gallery spaces, there was an opportunity to create some dynamic environments as per the curator's instructions.

At M+, the gallery spaces had different architectural challenges. To address these challenges, custom items were designed to make the lighting fixtures uniform and flexible enough to be moved anywhere in the building. ERCO provided customisation and followed up to ensure that the fixtures arrived on time and within the budget, which allowed the team to plan their installation and begin work on the exhibition.

The Anthony Gormley: Asian Field at M+ was a large-scale installation of 80,000 terracotta sculptures. The artist had strict requirements for the lighting, including lux levels, colour temperature, and individual control. Casambi was a good tool to control the luminaires, especially for this area, as the luminaires were inaccessible once the installation of the artwork was completed.

Flexibility and ease of use are key considerations when choosing luminaires for a museum with evolving spaces. The luminaires must be adaptable to different exhibitions and lightweight for the maintenance team to handle, especially in large quantities. After several mock-ups and tests, the Parscan 24-Watt luminaire was chosen for its size, weight, and versatility. The gallery also had to be both visually appealing and functional, while respecting the conservation levels of certain areas and avoiding over-lit or under-lit spaces. The goal was to create the best possible visitor experience.

"At the end of the day when things were completed in M+ it was quite satisfying to circulate the large spaces that you can only really comprehend on site. But yeah, I think there's not too often that you walk around such a large spans of gallery spaces and everything is pretty much the way you envisioned it and the best it can be."

- Adam Meredith, Director of MEGS Lighting

At M+, Adam Meredith had the opportunity to light some of the museum's vintage neon signs from the collection. This was a humorous challenge, as the original light sources could not be powered, so he used contemporary LED lights instead. When choosing a lighting solution, Meredith considered the heritage value of the signs and the need for a durable system that would last 10-20 years. He chose ERCO track lighting, confident in its high quality and lifespan.

Find out more about the products used here: PARSCAN

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