myERCO

myERCO

Your free myERCO account allows you to mark items, create product lists for your projects and request quotes. You also have continuous access to all ERCO media in the download area.

Login

You have collected articles in your watchlist

Technical environment

Technical environment

Global standard 220V-240V/50Hz-60Hz
Standard for USA/Canada 120V/60Hz, 277V/60Hz
  • 中文

Our contents are shown to you in English. Product data is displayed for a technical region using 220V-240V/50Hz-60Hz.

More user friendliness for you

ERCO wants to offer you the best possible service. This website stores cookies for this purpose. By continuing to use this website, you consent to the use of cookies. For more information, please read our privacy policy. If you click on "Do not agree", essential cookies will continue to be set. Certain contents of external pages can no longer be displayed.

{{ tu_banner_headline }}

tu_banner_copy

Illumination of light-sensitive exhibits

Achieving a balance between 'rendering visible' and 'conserving'

How to limit damage caused by illumination

When displaying light-sensitive exhibits, no lighting level can be considered harmless. The energy contained in light triggers a photochemical decomposition leading to the fading of colours. The less light falling on an exhibit, the less damage is caused. Important in such cases is not the absolute lighting level but the exposure (lxh), i.e. the product of illuminance (lx) and duration of illumination (h). From a conservation point of view the specification of lux hours with exhibits documents a just acceptable level of damage by light, but not the ideal lighting for presenting sensitive art.

Illumination of light-sensitive exhibits

Exposure with 50lx over 10 hours has the same damage potential for artworks as 250lx over two hours. It is unimportant in this respect whether the artwork is continually exposed to light or exposed with interruptions.

Products

Projects

Downloads

Planning light

About ERCO

Contact

Inspiration